roya ୨୧ @roya ୨୧ - 1y
we need metro boomin on nostr:npub1stemstrls4f5plqeqkeq43gtjhtycuqd9w25v5r5z5ygaq2n2sjsd6mul5
nostr:npub1yauhh489aefdkzsewe5vj2u68elzxlsln7nn5yxr34e3c22vljdqkn7h9m we must try to make this happen
yunginter.net @yunginter.net - 1y
This outlook on what stemstr is is why it’s impossible to onboard anyone who would actually be willing to put aside ip laws and contribute stems
There’s a lot to unpack, and I’ve said a lot of it in the past. Metroboomin is part of the last 10 years of clean up the industry has done of major label rappers getting on others beats and uploading them permission-less-ly to datpiff or artists like girl talk or danger mouse who intentionally treated released recorded audio in a permission-less way. Unfortunately there isn’t a big “get” birthed from the last 10 years because if they are a big get, they stand boldly against permission-less use of recorded audio. I’ve also made the point before, beatstar and splice are separate products with different end users. One is marketed with things like daw integration and terms like “stems” and is implied maybe not permission-less but royalty free. The other is “instrumentals” and focused on explaining and offering different licensing options. Neither are platforms for end product. Permission-less aside, A marketing collab with metroboomin = different deliverables for these different products, but it’s not clear what that deliverable is for either this suggestion or for a potential user.
i think this is the way. i understand the criticisms but i feel as if imo it’ll be hard to branch out without the mainstream, which isn’t bad.
