INTRODUCING โ€œSATโ€ SERIES 1 Featured: SAT 4, 5, and 6 ๐™๐™๐™ž๐™จ ๐™ฅ๐™ง๐™ค๐™Ÿ๐™š๐™˜๐™ฉ ๐™ž๐™จ ๐™ž๐™ฃ๐™จ๐™ฅ๐™ž๐™ง๐™š๐™™ ๐™—๐™ฎ ๐™ฉ๐™๐™š ๐™Ž๐™–๐™ฃ๐™จ๐™ ๐™ง๐™ž๐™ฉ ๐™˜๐™๐™–๐™ง๐™–๐™˜๐™ฉ๐™š๐™ง โ€œ๐™จ๐™–๐™ฉโ€ เคธเคคเฅ ๐™ฌ๐™๐™ž๐™˜๐™ ๐™๐™–๐™จ ๐™˜๐™ค๐™ข๐™ฅ๐™ก๐™š๐™ญ ๐™ข๐™š๐™–๐™ฃ๐™ž๐™ฃ๐™œ๐™จ ๐™ž๐™ฃ๐™˜๐™ก๐™ช๐™™๐™ž๐™ฃ๐™œ โ€œ๐™ฉ๐™๐™–๐™ฉ ๐™ฌ๐™๐™ž๐™˜๐™ ๐™ž๐™จ ๐™ช๐™ฃ๐™˜๐™๐™–๐™ฃ๐™œ๐™š๐™–๐™—๐™ก๐™š,โ€ โ€œ๐™ง๐™š๐™–๐™ก๐™ž๐™ฉ๐™ฎ,โ€ ๐™–๐™ฃ๐™™ โ€œ๐™–๐™—๐™จ๐™ค๐™ก๐™ช๐™ฉ๐™š ๐™ฉ๐™ง๐™ช๐™ฉ๐™.โ€ Setting out with a purpose to make this works, the opposite of precise or pre-planned has really forced me to grapple with creativity, acceptance of mistakes and embrace of imperfection. In many ways my artistic mind has always functioned like a camera, seeking to reproduce rather creative new (this is why I also think I have a natural and untrained knack for photography). But that had always been my style - pick a subject, study it, upscale it, downscale it, replicate it. I think this is also why photorealist artists like Simon Stรฅlenhag, Marc-Andrรฉ Castanger (Earthcrusher), and Yoann Merienne are my favorite contemporary (non bitcoin) artists. However, few me, if my subject disappeared so did my artistry it seemed, I always struggled to create my own freeform artwork that I would feel proud of. At some point in college, I become extremely self critical of this flaw, I let it become an artistic insecurity, and begin a slow journey away from art via simple neglect. But Inspired by the community that is #bitcoin I am compelled and energized to pick up the pen again after so many years. But this time I want to do it by embracing my artistic insecurities rather than avoiding them. I am finally ready to go with them and through them, to see where they lead and to discover how I may grow artistically. That is why these โ€œSATโ€ pieces are interesting and special to me. When I draw the starting shape, I know it will be off, it will be wholly imperfect no matter what I do. Each time I make a starting shape, something in me recoils and bristles at this initially, but Im learning to let it pass. I realize that unless I want this project to be an avante-garde exercise in wasting hundreds of sheets of expensive marker paper in the act of getting nowhere, I must adapt. When a shape is โ€œtooโ€ off I correct it with a new line, I see now that this creates blocked off spaces that I can either fill in or leave negative for artistic effect. And whatโ€™s more, Iโ€™m realizing that viewer, one who may enjoy my art, does not see these as โ€œmistakes.โ€ What is a challenging process to immerse in randomness and haphazard whimsy for me, may strike anotherโ€™a eyes as calculated, deliberate, inspiring, or even profound. And this, to me, is a beautiful thought. ๐Ÿ’œ๐Ÿงก๐Ÿค™๐Ÿฟโšก๏ธ #Art #Artstr #Plebchain #GrowNostr https://image.nostr.build/5bca4356d5d8817e7e193feb19516a0984f9adb46e3250acbb442a95e1d572bf.jpg https://image.nostr.build/a99de8184b486d06fcbf10ec5d28ecd1f24d9ba144df89e069bbc207549ab0f3.jpg https://image.nostr.build/6320e613ccfb88e78ee50a44f0dbcca6355d85e2b844aa4b17c066527ab16211.jpg

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